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Wednesday 8 February 2012

Harvey - Original Writing

Trying out a new voice...
Harvey
He liked working with his hands – honestly he did. He'd done it all his life and there were no nasty surprises. Wood couldn't turn around with a questioning glare and ask 'why exactly are you doing this anyway?' or change its mind last minute so you had to start all over again. It didn't require lots of fiddly words and phrases, public speaking or a smart uniform. No...all in all, wood was safe - safe as houses, like they say. Like Carry On films on Christmas Eve and slippers laid out by the side of the bed – safe like that.

Harvey had tried hard at school – he really had: went to all the afternoon sessions when he'd been ill, did most of his homework and didn't ever chat back. His mother had once even called him her 'little angel' between swigs of brandy – the boy with the porcelain face and manners like from public school. He could have put in a bit more enthusiasm - he supposed - but Shakespeare sounded like of one them foreign languages to him: pretty sounding once you got over the unusualness of it all, but having no meaning without painful – almost surgical – extraction. He didn't have it in him to kill a book like that...or a play...he couldn't remember which one. Heard later that Shakespeare had been a poofter like all those men on telly ...explained a lot, really. He didn't have a mind for dates or sums, either. The History teacher had once told Harvey that he'd been dropped one too many times on his head as a baby – 'all yer brain cells got exploded and yer sense leaked out yer ears, boy'. With a mother like his, it was perfectly possible.

All in all, considering the bad luck he'd been served with, he thought he ought to be congratulated on his choice of profession: he was good at it, and for someone who wasn't good at much, that was all the encouragement he needed.

He tightened up the D-clamp with one hand, holding the dowel steady with the other – like making a sandwich. 'Harvey Samson, ' he said to himself, 'you are a lucky man.' Some people might have laughed at him for that – one of those giggles that rang like bells or coins in your pocket: a rich laugh. But that's one of the up-sides of working with your hands: with a bit of hard work, you could do it alone. Course you'd get visited a couple of times a month by fancy-schmancy set designers, going on about 'symbolic representation, 'lighting choices' , 'conceptual storytelling, daaarling' and other stuff that didn't actually mean anything. But Harvey didn't mind that so much. He'd just flash a few pearly whites and keep checking that all the nuts and bolts were screwed up alright: the trick was to look busy and happy about it.

Today was a visiting day, so he's brushed up a little round the place and even combed his hair back. He was beginning to think he should've used gel as it had gone all fuzzy, like next-door's privet hedge but sandy-blonde. 'Jesus.', he breathed, turning his head from side-to-side in the mirror. He ran his hand through the fluffy cat that had made a home on his scalp. 'What do you think you're doing to me, eh?' His reflection stared back at him blankly and he amused himself by pretending his hair did – at least – look a but less puffed up. He looked himself sternly in the eyes. 'That's better.'

Sunday 4 September 2011

Draw 30 Update

Here are my new Draw 30 images:


  



  








Swordfighting (Original Writing)

Swordfighting

She snaps my sword
(practically in two)
with a parry and a mighty splintering of wood
I go to fetch some masking tape
as she dances in confetti of shrapnel
The camera clicks
and we draw on symbols with eyeliner

We'll do the ears later
- sharpen them to points with a trusty Photoshop brush
that changes us into liquid

I lay my sword to rest
the injuries sustained
no amount of tape can mend
We look solemn for a moment
us liquidised warriors
with drawn on eyebrows and braided hair
Until I brandish a new sword:
freshly picked
and, again, our battle is punctuated
with the sound of parries and photography

The Circle (Original Writing)

The Circle

Stitch the seams
Prick your finger with a needle
(twice)
Wisecrack over a morphy iron
with fingernails of six different colours:
a spectacular array of watery Superdrug testers
The spectrum of
three woman
two generations
and one Primark

The iron leaves a burn
on the circular skirt
We hide it on the inside:
a fingerprint of carefree creation
Flip the inside-out outsides in, and
viola!
Lordy Lumlocks
and giddy Auntie Jane with a million Jack Russells
We've done it!

A circle of friendship
with a waistband made of sisterhood
A handmade symbol that means
shaved legs
high heels
and a lick of paint

Breathe it in...
the sweet taste of success
mixed with lipgloss that tingles
and tastes like Barbie

We giggle and cluck like hens
dancing Flamenco on a rickety attic floor...

Thursday 18 August 2011

Flood!

In Bournemouth (where I live) disaster has struck and - in a freakish rain-storm (even by our English standards) - there has been the outbreak of a flood. Thinking about it, I'm not entirely sure if that is the correct term; perhaps floods do not 'outbreak' like diseases but, rather, 'slosh' or 'woooosh' on to unsuspecting towns. Anyway, I'm getting off of the subject...

Here are a few images I have collected:




Gormenghast Trilogy Tribute (Original Writing)

Without a doubt I would recommend the masterpieces of Mervyn Peake: Titus Groan, Gormenghast and Titus Alone. Peake is a true word-smith and poet that - without fail- manages to perfectly combine whimsy, fantasy and a sense of reality. Here is my tribute to him and his characters:

Gormenghast Trilogy Tribute (Original Writing)

He is the high-shouldered youth
With a kaleidoscope of egos
A veneer of false perfection
that is, to the observer, a figure from a dream
A mask,
A facade,
A guise...

He is calculated, caustic and callous
Dark, decisive and deadly
Sharp, seductive...Steerpike

She is the lusty sister
The flat chested lady of Gormenghast
A virginal skeleton
In dresses that hug her figure like an extra skin
A stick,
A bone,
A cadaver...

She is carnal, crude but chaste
Decorous, deranged and desperate
Pitiful, prudish... Prunesqualler

It is the kingdom of Selpulchrave
The eternal province of spires
And the majesty of tradition
It watches as Steerpike brings the Monarch to his knees
A citadel,
A fortress,
A tomb...

It is eerie, endless and enduring
Crumbling, cobwebbed and corrupt
Glorious, Gothic...Gormenghast.


Illustrations of Fushia and Steerpike